Performance: Orquesta Sinfónica de Minería, conducted by Carlos Miguel Prieto

About Kauyumari:

“Among the Huichol people of Mexico, Kauyumari means ‘blue deer.’ The blue deer represents a spiritual guide, one that is transformed through an extended pilgrimage into a hallucinogenic cactus called peyote. It allows the Huichol to communicate with their ancestors, do their bidding, and take on their role as guardians of the planet. Each year, these Native Mexicans embark on a symbolic journey to ‘hunt’ the blue deer, making offerings in gratitude for having been granted access to the invisible world, through which they also are able to heal the wounds of the soul.

When I received the commission from the Los Angeles Philharmonic to compose a piece that would reflect on our return to the stage following the pandemic, I immediately thought of the blue deer and its power to enter the world of the intangible as akin to a celebration of the reopening of live music. Specifically, I thought of a Huichol melody sung by the De La Cruz family—dedicated to recording ancestral folklore—that I used for the final movement of my piece, Altar de Muertos (Altar of the Dead), commissioned by the Kronos Quartet in 1997. I used this material within the orchestral context and elaborated on the construction and progressive development of the melody and its accompaniment in such a way that it would symbolize the blue deer. This in turn was transformed into an orchestral texture which gradually evolves into a complex rhythm pattern, to such a degree that the melody itself becomes unrecognizable (the imaginary effect of peyote and our awareness of the invisible realm), giving rise to a choral wind section while maintaining an incisive rhythmic accompaniment as a form of reassurance that the world will naturally follow its course.

While composing this piece, I noted once again how music has the power to grant us access to the intangible; healing our wounds and binding us to what can only be expressed through sound. Although life is filled with interruptions, Kauyumari is a comprehension and celebration of the fact that each of these rifts is also a new beginning.”

– Gabriela Ortiz

About Gabriela Ortiz:

“Latin Grammy nominee Gabriela Ortiz is one of the foremost composers in Mexico today and one of the most vibrant musicians emerging on the international scene.

Her musical language achieves an extraordinary and expressive synthesis of tradition and the avant-garde, combining high art and folk and popular music in novel, frequently refined, and always personal ways.

Ortiz has written music for dance, theater, and cinema, and has actively collaborated with poets, playwrights, and historians. Her creative process focuses on the connections between gender issues, social justice, environmental concerns, and the burden of racism, as well as the phenomenon of multiculturality caused by globalization, technological development, and mass migrations.

Although based in Mexico, she has had music commissioned and performed by orchestras around the globe. World premieres in 2023 include Revolución Diamantina, a ballet commissioned by the Los Angeles Philharmonic, and Altar de Bronce, a trumpet concerto dedicated to Pacho Flores and commissioned by the Liverpool Philharmonic, Orquesta de Galicia, New World Symphony, San Diego Symphony, and Orquesta Sinfónica de Minería.

Ortiz has been honored with the National Prize for Arts and Literature (the most important award for writers and artists given by the government of Mexico), the Gold Medal Award given by the Mexican Institute of Fine Arts, the Bellagio Center Residency Program, a Civitella Ranieri Artistic Residency, a John Simon Guggenheim Memorial Foundation Fellowship, and a Fulbright Fellowship, among other distinctions.

In 2016, Ortiz was inducted into the Mexican Academy of Arts. In 2022, she became a member of the prestigious Colegio Nacional, an honorary society created to gather together Mexico’s most distinguished artists, writers, scientists, and philosophers.

In 2022, Ortiz was selected as curator of the Pan-American Music Initiative, launched by the Los Angeles Philharmonic and Gustavo Dudamel in 2021. She also has been named to the Richard and Barbara Debs Composer’s Chair at Carnegie Hall for its 2024/25 season.”

– LA Phil